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Vega Coffee Tables
by
LEMA
From
1765
1765
Inc VAT
Inc VAT
Frame:
Carbone Oak
,
Upholstery:
Finish/Colour:
Matt Lacquered
,
Glossy Lacquered
,
Dimensions:
99 x 99 x 30h cm
128 x 128 x 30h cm
74 x 85.6 x 35h cm
165 x 90 x 35h cm
128 x 128 x 30h cm
74 x 85.6 x 35h cm
165 x 90 x 35h cm
Seat Height:
Variations:
Lead Time:
Color Temp:
Dimming:
IP Rating:
Certification:
Origin:
Italy
The Vega coffee tables, designed by Roberto Lazzeroni, originate from the encounter between material and light, between natural memory and aspiration towards the sky. Their soft, irregular shapes evoke pebbles smoothed by water: organic volumes, shaped by time, suspended in a silent equilibrium. The name looks far beyond, to Vega, one of the brightest stars, a discreet guide in the depths of the firmament. A subtle reference that transforms each piece into a luminous presence, able to orient the space without dominating it.
The frame in solid ash wood stained charcoal oak ensures sturdiness and becomes a distinctive feature of the project. The 40 mm thick top is available in LCT matte lacquer or LCL glossy lacquer finishes. Offered in two heights, they allow for modular and dynamic compositions, ensuring visual and functional continuity in the living space.
BRAND HIGHLIGHT
The story of Lema is a story of Italian manufacturing and an expert combination of innovation and tradition based on the central tenets of quality and customisation. The strength of the company lies in its extraordinary manufacturing capacity that has over the years made it possible to combine the values of traditional craftsmanship with the most innovative technologies. Great care is taken at every stage of realisation, from the design to the final product, thanks to the attention to quality and the close collaboration relationship with the designers.
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DESIGNED BY
Roberto Lazzeroni
Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.
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