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Manto

by 

Gallotti & Radice

From
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Frame:
  
Wood
,
  
Bright Brass
,
Upholstery:
Finish/Colour:
  
Walnut
,
  
Bianco Camargue
,
  
Blu Pacifico
,
  
Bordeaux Etruria
,
  
Grigio Londra
,
  
Nero Giza
,
  
Rosa Jaipur
,
  
Rosso Persia
,
  
Sabbia del Nilo
,
  
Verde Provenza
,
Dimensions:
Ø150 x 73h cm
Ø180 x 73h cm
Seat Height:
Variations:
Lead Time:
Color Temp:
Dimming:
IP Rating:
Certification:
Origin:
Italy

Manto
Table with top in "Colore" Frisé Walnut herringbone wood inlay and 60mm black bevelled edge; also available with inlay top in "Colore" Frisé Walnut or dark grey Frisé Maple with 60mm bevelled edge in the same finish. Resting Lazy Susan on request, available in the same finish of the top.
Pietro Russo wraps the base of Manto like a folded cloak, fastened with a single bright brass button. The round top comes in herringbone Frisé walnut with a black bevelled edge, in Frisé walnut or dark grey maple, or lacquered to match the base in one of nine Gallotti&Radice colours. A resting Lazy Susan is available in the same finish. Winner of the Archiproducts Design Awards 2020.
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BRAND HIGHLIGHT
Two different production lines, one highly industrialised and one focusing on handcraftsmanship associated with traditions, characterise the Gallotti&Radice work cycles: on one hand, production achieved using high-level technologies and sophisticated automated mechanisms (water jet cutter, industrial grinder, sheet tempering, cleaning and translucency procedures) enable the achievement of modular and multiple components, square and simple shape sheets for serial and standard products. Keeping the tradition alive with protocols with a handcrafted feel in order to offer a customised service, providing sought after forms, exclusive solutions, relying on the experience amassed throughout the years, where expert hands work the glass with care and knowledge transforming it into a design product.
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DESIGNED BY
Pietro Russo
Pietro Russo was trained in painting and ceramics, before he entered the Accademia delle Belle Arti in Florence, where he studied scenography. Understanding the design process as a research in existing scenic environments, he started exploration in the field of interior and product design.
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