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Gray 32/33/34/35 Dining Tables
by
Gervasoni
From
2162
2162
Inc VAT
Inc VAT
Frame:
Oak
,
White Ceramics
,
White Carrara
,
Polished Aluminium
,
Walnut
,
Upholstery:
Finish/Colour:
Natural Walnut
,
Bleached Oak
,
White
,
Grey
,
Black
,
Ocean
,
Dove-Grey
,
Date
,
Blueberry
,
Ginger
,
Dimensions:
Gray 32: 140 x 140 x 74.5h cm
Gray 33: 240 x 100 x 74.5h cm
Gray 34: 180 x 100 x 74.5h cm
Gray 35: 160 x 90 x 74.5h cm
Gray 33: 240 x 100 x 74.5h cm
Gray 34: 180 x 100 x 74.5h cm
Gray 35: 160 x 90 x 74.5h cm
Seat Height:
Variations:
Top in Walnut or Oak slats, White Carrara, Concrete Pearl or Waxed Iron Sheet.
Feet in natural walnut, lacquered oak, white ceramic, in cast polished aluminium.
Lead Time:
Color Temp:
Dimming:
IP Rating:
Certification:
Origin:
Italy
Vintage soul and contemporary design characterise the Gray 32/33/34/35 family of tables. Available in different sizes with a square or rectangular top, they feature different materials that combine to create multiple possibilities.
The top with slats veneered in walnut or oak, white Carrara marble or waxed iron sheet, is joined by four legs in walnut or oak, in white ceramic, white Carrara marble or in cast polished aluminium, with elegant triple turning. Available wood finishes: natural painted Canaletto walnut, bleached oak or white, grey, black, ocean, dove-grey, date, blueberry and ginger lacquered oak.
BRAND HIGHLIGHT
Gervasoni is a family business that speaks of a world that is at once informal, elegant and contemporary. The continuous search for the creative potential given by exclusive combinations of industrial materials, natural materials and craft techniques, combined with the passion of over 140 years of activity, has given life to a style that is recognisable all over the world.
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DESIGNED BY
Paola Navone
Graduated from Turin Polytechnic in 1973, Paola has always had a disregard for convention, which she developed during her time with the ‘antidesign’ rebels led by Mendini and Sottsass. She is the exception on the Italian design scene. For the past thirty years, she has been a welcome feature of the otherwise male-dominated Italian design elite.
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