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The Panel System
by
Finn Juhl
From
0
0
Inc VAT
Inc VAT
Frame:
Oak
,
Walnut
,
Upholstery:
Finish/Colour:
Walnut
,
Oak Dark Oil
,
Oak Clear Oil
,
Dimensions:
See Spec Sheet
Seat Height:
Variations:
See Spec Sheet
Lead Time:
8 - 10 Weeks
Color Temp:
Dimming:
IP Rating:
Certification:
Origin:
Denmark
Finn Juhl designed a wall-mounted panel and shelving system in 1953, which elegantly complemented his interior design. Below, you can explore selected versions of the Panel System by switching between different materials and compositions. There are six predefined compositions available for you to choose from: 1A, 1B, 2A, 2B, 3A, and 3B. Each composition can be viewed in various materials. Please note that these six compositions are only examples; the element-based structure of the system allows for almost limitless combinations.
When Finn Juhl designed a house or an interior, his objective was to create a harmonious totality where architecture, design and art came together - a so-called "Gesamtkunstwerk". A humanistic-inspired philosophy where all the elements in an interior seamlessly become one well-balanced unit. In his work, it translated into a philosophy where furniture and space seamlessly became one well-balanced unit. The Panel System supports this approach as it transforms walls into an integrated part of the overall interior design and at the same time adds both warmth and character.
BRAND HIGHLIGHT
Today, the House of Finn Juhl by OneCollection exclusively manufactures his sculptural and iconic furniture. More than 40 of his classic masterpieces are crafted to the most exacting standards, with the utmost respect for their original heritage.Tollgard is proud to represent Finn Juhl at its London showrooms. Among the pieces available is the Chieftain chair, “France chair and 109 chair” which is one of the designer’s most celebrated pieces, designed at the peak of his career. When it was presented in 1949, it marked a renewal of Danish furniture design.
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DESIGNED BY
Finn Juhl
Rather than thinking in terms of practical construction, Finn Juhl had the mind-set of a sculptor, when he shaped a piece of furniture. In the 1940s and 1950s, this way of working had never been seen before. His ambition was to design furniture with movement and life. Finn Juhl took pride in making both the structurally supportive elements of the furniture and the seated person look as though they are floating.
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