Display Sale
DC100 - SALE
by
Ceccotti Collezioni
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Frame:
Wood
,
Upholstery:
Green Nubuk Leather
Finish/Colour:
No items found.
Dimensions:
100 x 106 x 83h cm
Seat Height:
41 cm
Variations:
Lead Time:
In stock
Color Temp:
Dimming:
IP Rating:
Certification:
Origin:
Italy
Harmony goes beyond the single product to represent an overarching vision, i.e. a combination of various elements according to a consistent style.
Designed by Vincenzo de Cotiis in 2007, the armchair has an inclined backrest and a generous seat, just like the other elements belonging to the same family: DC 80/60 and DC 280/220. The base is in solid wood and the backrest in curved plywood, padded with variable density non-deformable polyurethane foam and then covered with polyester fibre. In addition to the various configurations, there is also a wide range of non-removable covers to cater to different tastes.
BRAND HIGHLIGHT
Strongly committed to sustainability, Ceccotti only works with suppliers that have obtained environmental certification such as membership of the SFI (Sustainable Forestry Initiative) or FSC (Forest Stewardship Council).Based in a small Italian town nestled between Pisa and Florence, the Ceccotti workshops draw the most skilled artisans from the local ‘School of Art’ and hone their craft. Ceccotti Collezioni creates exquisitely made beds, tables, chairs, desks, shelving and lighting that is unmistakably special and is the definition of luxury Italian furniture.The Tollgards are fortunate to have known Franco Ceccotti, a true visionary artisan, for the past decade, and operate the Ceccotti Showroom in the Design Centre, Chelsea Harbour in London.
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DESIGNED BY
Vincenzo De Cotiis
Vincenzo De Cotiis was born in 1958 in Gonzaga, Italy. He studied architecture at the Milan Politecnico and founded his studio and gallery in 1997. The beauty of the patina generated by time is the leitmotiv that is reflected both in his architectural and interior designs of residential and commercial projects throughout the world. A research that is based on a contemporary appropriation of recycled materials, often marked by time and wear, and reinterpreted through the integration of new and precious materials.
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